Rewind · for production teams

Game film for
the team that runs the room.

Capture your live service — the multiview your director watches and the comms your crew talks on — and turn it into a record your team studies to get better, week over week.

From serveministry.appBuilt by JBC Tech Solutions
The thesis · 01

The aired feed hides the coaching signal.

What broadcast saw is only the cuts that were made. The teaching moments — whether a camera was ready, what the director called, who answered late — live in the multiview and the comms, where nothing else records them for review.

What broadcast saw

The program feed

  • One angle at a time — only the cuts the director made it to.
  • No multiview. You can't see whether Cam 2 was lined up or framed wrong.
  • No comms. You can't hear the call that triggered the cut.
  • Unlisted, hard to share, lives on YouTube. Volunteers shouldn't have a key.
What Rewind captures

The All-22 plus the headset

  • Multiview. Every camera at every moment, synced to the cut.
  • Comms. The director's call, the cue, the late "ready three." The play-calling track.
  • Marks & attribution. Drop a note at a timecode, tag the operator.
  • Scoped access. Crew logs into Rewind, never into Resi or Boxcast.
The problem · 02

Coaching the crew is a chore today.

Reviewing services to coach the team is manual, scattered across group chats and exported clips. The teachable moments evaporate by Tuesday.

Pain 01

Service review is manual.

Someone exports the unlisted broadcast and passes it around. Nothing about the cut process is recorded.

Pain 02

The director can't always watch.

You're calling cuts during service. Learning moments disappear by the time you sit down to review.

Pain 03

The signal isn't where you look.

The program feed only shows what aired. The multiview and comms — where the teaching is — never get captured.

Pain 04

Platform keys are an access mess.

You don't want twelve volunteers in your Resi or Boxcast account just so they can review their own work.

How it works · 03

Two paths in. One review surface.

Start frictionless on the public stream you already publish. Upgrade when you're ready to wire the production rig in — that's where the coaching signal lives.

Monitor · public stream

Watch · free

Auto-capture your church's public live stream. YouTube today; Vimeo and Boxcast next. Zero upload labor — services just appear, ready to mark.

For plants and volunteer-run rigs without a multiview yet. Same marking UI, same crew workflow, no production-side install.

youtube.com/@yourchurch/live─→Rewind
polliframe

Ingest · multiview + comms

Film Room · $99/mo

Point your encoder at a per-org RTMP endpoint. Send your multiview as the video. Comms goes in as a second audio source in the same encode — one synced ingest, never two streams.

Comms goes in as a second audio source mixed into the multiview encode — not the stream's broadcast audio, and not a second stream. Most rigs start multiview-only and add comms when the AVL side is ready — we help wire it.

OBS · ATEM · Resi─→rtmp://your-org.rewind
multiview+ comms

Then the coaching loop.

01 · Mark

Drop a timestamped mark.

Pause, write what you saw. ⌘↵ to save. Same composer the crew already uses on Watch.

02 · Attribute

Tag the operator.

Cam 2, Switcher/TD, Audio, Graphics. Role-first so it survives volunteer turnover.

03 · Clip

Pull the 20 seconds.

Snip the moment from the multiview. One deep link, scoped to your workspace — not a YouTube key.

04 · Assign

Send it to the person.

Turn the mark into a follow-up. Acknowledged / resolved states close the loop Frame-style comments leave open.

05 · Resolve

Watch the team improve.

Per-operator scorecards trend marks over time. "Cam 2: white-balance notes trending down."

Pricing · 04

Per org. Not per seat.

Get the whole crew in. Value scales with locations (feeds), retention, and service volume — not with how many volunteers serve on a Sunday. An extra feed and an extra campus location are the same axis: +$39/mo each at typical volume.

Tier · WatchFree

Watch

A genuinely useful free tier built around marks on your public stream.

$0/ forever
No card. No trial timer. No tip jar.
Start with Watch
  • +Monitor your YouTube live stream
  • +Unlimited streams & unlimited crew
  • +The mark composer · tags · clip-and-share
  • +Marks & tags kept indefinitely

For plants and volunteer-run rigs that don't have a multiview yet.

Tier · Network3+ campuses

Network

Cross-campus oversight — compare campuses, standardize quality, and coach centrally from one workspace. Stacked Film Rooms can't do that.

$299/ month
5 locations included · + $39/mo each additional
Talk to Joel
  • +Cross-campus oversight · compare, standardize, coach
  • +Everything in Film Room
  • +5 locations included (one feed per campus)
  • +Cross-campus scorecards & trends
  • +Extended retention by default
  • +Priority onboarding

Built for three or more campuses. One- and two-campus churches usually stack Film Rooms ($99 each). At three, Network matches the stack — with oversight included. Four or five campuses save vs stacking ($396–495).

Add-ons

Per org, per month unless noted
Extra feed / location one multiview+comms feed · typical volume · extra campus, ISO, or program angle+ $39 / mo
High service volume multiple services per week at one location — not typical single-campus volumequote
Extended retention 1 year recording window+ $30 / mo
Permanent archive cold storage · flat fee + per GB-monthquote
Onboarding — multiview only capture box · HDMI tap · pre-built Rewind image$500 one-time
Onboarding — comms capture intercom mix · second audio source · time-align with multiview$1,000+ / rig
Done-with-you AVL audit standing engagement · scoped to your rigquote
Location & volume
A location is one campus, one multiview+comms feed, at typical service volume (roughly weekly services). That is the same unit as an extra feed on Film Room — +$39/mo whether the feed is another campus or another angle at the same site. Heavy campuses (multiple services per week) and extra feeds-per-campus are billed on the high-volume and extra-feed add-ons, not bundled into Network's flat five locations.
Ministry scholarship
Free Film Room for qualifying church plants (under ~150 in attendance). Limited slots — tell us about your church.
Why Rewind · 05

Built for coaching the live crew.

Frame.io reviews the cut. Resi delivers the stream. Rewind sits between them — on the multiview and comms that never reach either tool.

vs · editorial review

Frame.io, Vimeo Review

They're upload-based, finished-cut, approval-shaped. They capture neither the multiview nor comms. Rewind is auto-ingest, live-feed, coaching-shaped. We hand off to Frame for the edit — and own the live-crew job it was never built for.

vs · streaming platforms

Resi, Boxcast

They make and deliver the stream. They don't review the crew's work. Rewind sits on top — taking the multiview and comms that never reach any other tool and turning them into game film.

Wired into the rig

The coaching record compounds.

Rewind sits where your multiview and comms already are — a destination for the feeds that never reach any other tool. Once you're wired in, every service adds to your team's film library.

Get started

Start free. Wire in when your rig is ready.

Watch is on right now — point us at your YouTube live and start marking this Sunday. Film Room is a 20-minute call to walk through the capture side; we keep that handoff high-touch on purpose so the comms governance and the audio sync land right.

What a Film Room setup looks like.

  1. 01Capture box. We ship a preconfigured Rewind image or a small appliance.
  2. 02Multiview HDMI tap. Off the back of the switcher into the box.
  3. 03Comms — when ready. Intercom mix → interface → encoder → time-aligned to multiview.
  4. 04Consent + retention. Crew is told comms is recorded for film study; 90-day window by default.
  5. 05First debrief. We sit in on a service review with you and your director.

We keep onboarding hands-on so the audio sync and comms governance land right.